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Kyusu Tokoname
Sawayaka Kuro

Studio Tomisen

SKU
N1492TDE
This original Japanese side-handle teapot from Tokoname is perfect for preparing high-quality Japanese green tea. The pot has a special coating (chara チャラ) and its natural red clay presents with a more black colouring due to reduction firing. 330ml
Product Side-handle teapot: yokode kyūsu (横手急須)
Kiln Tokoname Yaki (常滑焼)
Origin Tokoname (region), Aichi (prefecture), Japan
Capacity according to the manufacturer 330ml
Recommended Filling Quantity For optimal serving, it is recommended to fill only up to the last third of the integrated strainer.
Dimensions in cm (diameter without handle x height without knob) Ø10.4 x 6.4cm
Weight 260g
Material Red natural clay (Shudei; 朱泥) enriched with natural Bengara (弁柄; red iron oxide). Black colouring due to the reduction firing
Reduction Firing Reduction fire (Jap.: Kangen Shōsei; 還元焼成)
Glaze Wafer-thin, special clay layer (chara; チャラ) which develops a characteristic sheen with age.
Strainer Permanently integrated stainless steel sieve (rustproof)
Finish The components of the lid and jug are cast into shape by hand and then assembled for a precise fit. (Ikomi; 鋳込み)
Packaging Box
€34.90
1 pc.

Delivery: 1-3 business days (Free delivery from 99€)

Incl. VAT, excl. shipping

SKU
N1492TDE
€34.90 / 1pcs
In stock

Producer

This Kyusu is made by a traditional, small craft studio (Kamamoto) in Tokoname. All the work steps are carried out exclusively by hand. In this large traditional region for ceramics, only less than 40 studios exist today.

Kyusu 急須

In Japanese, Kyusu simply means “teapot” and most often refers to the distinctive side-handled vessel that has long been used to brew green tea in Japan. The handle may also be found over the top or in the back, however (with a bit of practice) the side handle allows for exceptionally smooth and ergonomic single handed pouring. Kyusu tend to be smaller than Western teapots and are completely emptied after each steeping to prevent the tea from over-brewing and becoming bitter. Conveniently, they often have a strainer built into the spout to keep the leaves inside the pot, which also makes for easy re-steeping.

Kyusu come in a variety of shapes, sizes and regional clays, which determine what type of tea is best prepared in it. Shorter, flatter Kyusu for instance are best for teas brewed at low temperatures, such as Gyokuro and Kabusecha, while larger, deeper teapots work better for teas like Hojicha and Genmaicha, which can be steeped at higher temperatures. Furthermore, Kyusu are very collectible items, and those made by government-certified Traditional Master Craftsmen, or Dentō Kogeishi (伝統工芸士), are particularly prized amongst teaware connoisseurs.

Tokoname Yaki

Tokoname Yaki (常滑焼, Aichi Prefecture)

Pottery has been produced in the city of Tokoname, Aichi prefecture, as far back as the 12th century, and since 1976 Tokoname ceramics, or Tokoname-yaki, has been protected as a Traditional Craft of Japan. Tokoname was the site of the largest and oldest of the legendary Rokkoyō (六古窯): the “Six Ancient Kilns” of Japan, and continues to be the leading ceramics production centre in Japan today. Synonymous with Tokoname is the local iron-rich Shudei (朱泥) clay which turns a bright red after baking. Historically this clay was dug up from beneath rice paddies, but nowadays most Tokoname clay is enriched with natural red iron oxide, or Bengara (弁柄), to achieve similar levels of iron. When fired a second time in a reduction oven, the red clays turns black – another characteristic colour of Tokoname-yaki.

Tokoname Kyusu teapots are typically unglazed on the inside, allowing the tannins in the tea to interact with the iron in the clay body, which is said to reduce astringency and highlight the sweetness of green teas. Another key feature are the perfectly fitting lids, which are ground into the body after firing in a technique known as Suriawase. Besides red and black, Tokoname wares also come in a variety of colours and finishes by mixing other pigmented clays or coating in Chara slip glaze, as well as traditional decorative techniques such as Yōhen (窯変) ombré and Mogake (藻掛け) "seaweed covering".

Production

Material

Red natural clay (shudei; 朱泥) enriched with natural Bengara (弁柄; red iron oxide).

Ikomi/Rokuro

The components of the lid and jug are cast into shape by hand and then assembled by hand for a precise fit (ikomi; 鋳込み)

Reduction firing (kyo kangen shosei, 強還元焼成).

When firing ceramics, various processes start as the temperature rises. First, the water still left in the body evaporates. Above a temperature of 500°C, the clay is completely dehydrated and its chemical state is irreversible. The organic components burn and oxidation takes place. After solidification, the vitrification phase begins.

Reduction firing of the ceramic produces an excess of carbon and a reduction of oxygen in the kiln. Carbon monoxide extracts oxygen from the surroundings and the body. A strong smoke development is the result. The body changes colour, from light grey to black, depending on the intensity and time of the reduction. The clay has less oxygen, becomes firmer and more solid and at the same time acquires greater porosity. All in all, this leads to the specific properties of a kyusu fired in this way when preparing green tea in terms of taste and effect. After firing, the special clay, which is rich in minerals, reacts in a characteristic way with the ingredients of the tea and the water (see the tab on tea varieties).

Glaze

Wafer-thin, special clay layer (chara; チャラ) which develops a characteristic sheen with age.

Character

This traditional Kyusu is handmade from natural clay by a small, specialised studio in the famous Tokoname. The great tradition of craftsmanship and the extremely careful method of production make this Kyusu the ideal entry-level and everyday model for connoisseurs of high-quality Japanese green teas.

Tokoname is one of Japan's six ancient ceramic centres. High-quality earthenware has been produced here since the 12th century. The particularly ferruginous clay deposits still present there are responsible for the characteristic red body which, together with the oxidation firing, is so decisive for optimising the taste of the tea. A special feature of the production of Kyusu from Tokoname are the lids, which are cut by hand and fit precisely.

Details

  • Handmade in original Tokoname studio
  • Hand cut lid
  • Red, ferruginous natural clay
  • Special black clay layer (chara チャラ) applied wafer-thin before firing, which develops a characteristic sheen with age

How to use

To properly care for high-quality Japanese ceramics, always use soft water throughout preparation and cleaning.

A kyusu should be warmed with water before usage so that the clay reacts better with the tea leaves. Only then should the tea needles be added with a wooden spoon. Depending on taste, variety and quality, 1-3 heaped teaspoons per person are recommended. Connoisseurs usually make the tea much stronger than beginners, who are less used to the intense taste and bitter compounds.

Pour the water carefully and slowly over the leaves, ideally from a yuzamashi (a vessel used for cooling the water after boiling) of the same or similar clay and fire. For best results, fill the water only to the top third of the strainer. Please close the lid while brewing the tea.

To pour, hold the kyusu with one hand, with your thumb on the knob. Make sure that the small opening on the lid is level with the spout. Then pour the tea slowly into the cup, drinking immediately. If several cups are being filled, they should be poured one after the other in small amounts to achieve an even result for all cups. At the end, gently but firmly point the kyusu downwards repeatedly with both hands to extract the last, particularly rich drops from the tea.

After the last infusion, remove the tea from the kyusu and rinse it with water. Do not scrape or otherwise clean the inside. Afterwards, rinse the inside and outside of the pot with soft water to prevent any detrimental limescale deposits. Briefly wipe the outside with a clean cloth. Then leave the kyusu open to dry completely and store it closed for the next infusion.

Care

Cleaning the Exterior:

Use clean water and a soft cloth only. Rub with brewed green tea to remove any stains.

Cleaning the Interior:

Rinse only with clean, preferably soft water. If cleaning the kyusu with tap water, rinse it afterwards with soft, low-limescale water inside and out to avoid corrosion. Because the kyusu, which is unglazed on the inside, develops a patina over time, which improves and intensifies the taste, it is advisable to use only the suggested types of tea. This is also why, whenever possible, soft, low-calcium water (similar to natural mountain spring water) should be used for preparation and cleaning, rather than tap or bottled water.

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